The impact of the analog synthesizer
SM-000226107
Beschreibung
- Komponist
- Dino Residbegovic
- Verleger
- Dino Residbegovic
- Genre
- Klassische Musik / Zeitgenössisch
- Instrumentierung
- Klavier, Akkordeon, Flöte, Cello, Sopran
- Partitur für
- Quintett
- Art der Partitur
- Partitur
- Sprache
- Englisch
- Schwierigkeitsgrad
- Fortgeschritten
- Jahr der Komposition
- 2015
- Beschreibung
- The composition is written for: soprano, flute, accordion, violoncello and piano.
This work is inspired from the book of Mark Jenkins "Analog Synthesizers".
The whole composition is based on the Morse code.
For performers, the most important is a very intimate music relation with the score,
in domain of perception, because of the new role in the interpretations of music.
As composer, I believe that each good performer has the ability and own tone aesthetic
after many years of practicing and performing music.
I believe that the relationship between performers (Interprets) and the composer should be much stronger.
Other musical parameters are fixed. Through improvisation with pitches, it is necessary to aware about two things:
musicians should avoid sequences and repeating same pitches only same pitch in one bar,
never same pitch in more than one bar! The same logic gilt for the registration!
Expression should be play in co-relation with instrumental technique.
World premiere at Army Hall in Sarajevo, Bosnia and Herzegovina (Sonemus - Sonic Boom Festival, artistic director Azra Ramic) Concert of Bosnian and Swiss composers 19. 02. 2015.
Conductor: Jurg Wyttenbach, Sopran: Jeannine Hirzel, Flute: Hanan Hadzajlic, Cello: Esther Saladin, Accordion: Ina Hoffman and Piano: Gilles Grimaitre
Video of composition at youtube address:
https://www.youtube.com/watch?v=13ybAEldHCA
Audio of composition at following address:
https://www.copy.com/s/ipOZkvUE89dqfBGw/sonicboom/sonicboom_1902_4_Residbegovic.wav
- Datum des Uploads
- 17 Mai 2015
Kommentare
Hiermit gemeint ist der Urheber einer Abwandlung wie einer Adaption, eines Arrangements oder anderer Veränderung, die auf einem bereits existierenden Werk basiert, von diesem aber in erkennbarer Form abweicht.
Hiermit ist der Urheber des Originaltexts gemeint.
Hiermit ist der Urheber der Übersetzung des Originaltexts gemeint.